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      SUPPORT THE ARTS   

 

  • Women Painting Women from Saturday 1 February to Sunday 9 March

  • Charm of Finches – Friday 28 Mar 8pm

  • Ash Grunwald – Sunday 16 February 7.30pm

  • Live on the Lawn 2025 – Saturday 22 February 12pm

 

 

What Lies Beneath

Six days of eco-printing and art making in sacred space, culminating in a month long exhibition at Burrinja Gallery.

What Lies Beneath Exhibition Website

7 July – 7 August 2016  

Call Out: What Lies Beneath Workshop Series

You are invited to:

- learn the art of eco-printing/botanical dyeing on watercolour paper, silk, wool and leather
- create sacred space together
- engage in group and individual practices
- co-curate a gallery space, and exhibit your journey and work
- follow threads of curiosity and the terrifyingly wonderful lure of the Unknown ...


DATES:

Workshop:
Fri 3 June 6pm - 9pm
Workshop:

Sat 4 & Sun 5 June 10am - 5pm
Workshop:
Sat 11 & Sun 12 July 10am - 5pm
Curatorial day:

Tues 5 July 10am - 3pm
Exhibition Opening:
Thurs 7 July 6pm - 9pm
Final circle: Fri 12 Aug 6-9pm

INVESTMENT:

Early Bird $590 (until 31 March)
$700 waged, $620 unwaged

20% deposit required
payment plans available

Express your interest



#whatliesbeneathexhibition

The Embodied Arts Collective  instagram

The Embodied Arts Collective facebook event

 










Eco-printing engages the pigments in leaves, natural fibres, metal and heat to create prints and imagery that cannot be orchestrated or controlled – as Rebecca Funk describes: 'this is a dance with Nature herself where we follow Her lead…'

Emerging from a series of workshops lead by local artist Jacqui Grace and soul crafter Rebecca Funk, the cohort of makers will exhibit new eco-printing based work developed from an exploration of creative process where artist, matter and cosmos are co-constructors of meaning, beauty, sacredness, art and chaos.

'This is art-as-process, and we will practice letting go of outcome and expectation, as best we can, so that we can bear witness to what is arising in the present moment. This emerging understanding will come from our own intuitions and knowings, from snippets of other people’s stories, from the pieces we create and what they wish to show us, from the natural world around us, from Mystery…
We are seeking what lies beneath what we know, what lies beyond our current identity. '    - Jacqui Grace

Dynamics between structure and emergence, individual work and collaboration, the stagnant and the ephemeral, process and outcome culminate in an exhibition which will showcase the generative process of eco-printing as we explore what lies beneath the leaf, and these constructs.

ABOUT THE PROJECT


AN ART-AS-PROCESS  JOURNEY AND EXHIBITION IN ECO-PRINTING, ENGAGING SHAMANIC AND THERAPEUTIC ARTS PRACTICE

Our journey will take place over six days in winter when we will stay present to our creative process, engage with emergent knowing, experience the generative space between self and multiple others, when artists, matter and cosmos become co-constructors of meaning, beauty, sacredness, art and chaos.

We will explore the dynamics between structure and emergence, individual work and collaboration, the stagnant and the ephemeral, process and outcome, all the time coming to new understandings of our artistic identities.  We are learning how to make room for what lies beneath to reveal itself.

Our explorations will culminate in a month-long group exhibition in Burrinja's main Gallery, showcasing the generative results of the eco-printing modality; an ephemeral expression of what has been learnt. Works exhibited may include: watercolour sheets, dresses, fabric pieces, installations and more...

Full process description

ABOUT EMBODIED ARTS COLLECTIVE FACILITATORS:


JACQUELINE GRACE
Therapeutic arts practitioner and eco-printing artist
Jacqueline is a resident artist at Burrinja Cultural Centre working with eco-printing in a technique of art-as–process. She is completing her Masters Degree in Therapeutic Arts Practice at The Miecat Institute.
www.beautifulwasteland.com.au

REBECCA FUNK
Rebecca Funk is a midwife of the soul who loves travelling with people on their journeys to greater wholeness!  She is an apprentice with the School of Shamanic Womancraft, student of Soul-Centred Psychotherapy and holds sacred space in various forms, for individuals and groups.
 www.midwifeofthesoul.com.au

 

      

Black Mist Burnt Country
Karen Standke, Road to Maralinga II, oil on canvas, 112 x 85 cm, 2007, copyright: the artist

 

Black Mist Burnt Country is a exhibition project developed by Burrinja Cultural Centre which commemorates the British atomic test series in Australia through artworks by Indigenous and non-Indigenous contemporary artists across the mediums of painting, print-making, sculpture, installation, photography and new media.


The exhibition launched in September 2016, marking the 60th anniversary of the first atomic test at Maralinga on 27 September 1956. It was one of 12 atomic devices to be trialled from 1952 to 1957, at Montebello Islands off the coast of Western Australia and at Emu Junction and Maralinga in South Australia.


Jonathan Kumintjarra Brown Maralinga before the Atomic Test
Ochres, sand and kapok on linen
227 x 205 cm, 1994 Yarra Ranges McLeod Gift Collection B0269

Maralinga Before the Atomic Test, a large canvas and kapoc painting by Jonathan Kumintjara Brown in the Yarra Ranges McLeod Gift Collection set Burrinja curator JD Mittmann on the path to research this secret and dark part of Australian history.
Jonathan Kumintjara Brown, a member of the so-called 'Stolen Generations', had been removed from his parents at Ooldea Mission at very early age. He grew up with foster parents in Melbourne and Sydney, but it was not until when he was in his late 20s that found his parents at Yalata, South Australia, and learnt about the dislocation of his people and the destruction of the traditional lands by atomic testing.


Jonathan Kumintjarra Brown
painting Maralinga Atomic Test (1992)
Courtesy of Neil McLeod

The discovery was traumatic for him, and he turned to art for relief and to tell the Maralinga story. Mentored by his friend and photographer Neil McLeod, Jonathan created a series of paintings which document different aspects of the story of the tests and their impact on land and people. Upwey artist Lin Onus, an early collaborator of Brown's, himself had created a seminal sculpture Maralinga, now on permanent display at the Art Gallery of Western Australia, and the first direct response to the tests by an Aboriginal artist in the country.


Lin's father Bill, a Yorta Yorta man, local entrepreneur and political activist, had together with Pastor Doug Nicholls lobbied against the development of the Woomera Long Range Rocket Establishment in the late 1940s and protested about the use of vast stretches of Pitjantjatjarra country for this purpose. The subsequent atomic test program resulted in further dispossessions and desecrations of country by British and Australian authorities.


From the mid-1990s, in the booming Aboriginal art movement, Indigenous artists turned to canvas and paint to tell their story. Works in the exhibition figuratively display the moments of forced removal, army trucks, mushroom clouds, sickness and death. Works by contemporary non-Indigenous expand the range of topics in a variety of mediums. Over 30 artists are included in the exhibition.

For more information visit the exhibition website.
 

Black Mist Burnt Country website

Black Mist Burnt Country facebook

Black Mist Burnt Country twitter

Black Mist Burnt Country instagram

Join the conversation with #BMBC60

 

 

          

                       

 

 

Tasty Az at Burrinja

 

 

The Tasty Az team joined us here at Burrinja in July 2021, and are back bringing their quality catering with a conscience to the centre. 


The cafe opens Wed - Sat | 10am - 3.00pm

Unfortunately, Tasty Az @ Burrinja has had some unforeseen circumstances which are delaying their return. We will continue to offer complimentary tea and coffee service until they are back.

 

 



 

The Tasty Az Story

Tasty Az is a social enterprise specialising in catering, events and hospitality services, currently located in Lilydale. Established in 2014 following the closure of the local TAFE campus, Swinburne, where the founder Julie-Ann Morman (Jules) taught courses specialising in hospitality as well as courses in supported learning for young adults living with a disability or learning difficulties.

Tasty Az was set up to provide quality, hands on, integrity driven training, work experience, work placement, industry related education opportunities and transparent pathways to supported and open employment.

Tasty Az is a non-funded, non-government, grass roots, self-funded, self-sufficient social enterprise which currently supports, educates, trains and employs 12 young adults who live with a disability. During the past 3 1/2 years we have assisted and supported a further 16 young adults in their preparation to obtain on-going training or employment in various areas of hospitality.

Profits from catering and event sales are our means of being able to financially enable Tasty Az to support our core purpose, that being to assist and nurture young people with special needs to develop their individual abilities catering for our community. 


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We’re Going on a Bear Hunt
Garry Ginivan Attractions (AUST) by arrangement with Kenny Wax Family Entertainment Ltd (UK)
Adapted from the picture book written by Michael Rosen and illustrated by Helen Oxenbury

Pack your picnic for the most delightful and famous bear seeking adventure of all times

 

Tickets

All Tickets $18
Group 4 + $15ea

book tickets

Ticket packages

3 family shows $42
 
 


55 mins | no interval | recommended 2 years – 8 years

Garry Ginivan Attractions ( Aust ) in association with KW & NB Ltd (UK)
Adapted from the picture book written by Michael Rosen and illustrated by Helen Oxenbury
Adapted by: Sally Cookson
Original Score by: Benji Bowers
Directed by: Mark Parrett ( UK )
This international touring production will be re-mounted in Australia by GGA

 

Burrinja Theatre
MON 3 JUL, 3PM & 6:30PM
TUES 4 JUL, 10AM    

 

“charming and fun........perfect for kids 8 years and under ” – The Melbourne Age


“it is delicious to hear the crowd squeal....wholesome cheeky fun for young families ” –
The Melbourne Herald Sun


 

A furiously fun, mini-musical that will get the whole family wriggling along in their seats.

WE’RE GOING ON A BEAR HUNT is the much loved story of a family out for walk and on the lookout for a growling bear. Join in the adventure as they march through long swishy grass, wade through thick gloopy mud and battle a snow storm before entering a big dark cave where we might finally spot the glinty wet eyes of a slobbering, gigantic bear winking at us through the blackness.

Warm your heart and tickle your fancy with the fun and frolics of a father who is clearly still a child at heart, his three children including a tiny intrepid bear hunter in the making, plus the family dog and of course....a BIG BROWN CUDDLY BEAR!

From the makers of  POSSUM MAGIC, WOMBAT STEW and THERE’S A HIPPOPOTAMUS ON OUR ROOF EATING CAKE comes this exciting new live production WE’RE GOING ON A BEAR HUNT!




About

GARRY GINIVAN – Writer/Director/Producer Garry has written script and lyrics/produced/directed and choreographed many shows for young audiences for over 30 years, often through his own company, formed in 1987. His particular passion is creating the first adaptation of a well-loved book to a musical. Possum Magic, The Magic Faraway Tree, Stripey – the Emu Chick, The Complete Tales of Peter Rabbit, My Grandma Lived in Gooligulch and There’s a Hippopotamus on Our Roof Eating Cake (Hippo! Hippo!) are just some examples of work that has won great industry and audience acclaim. He has co-produced/directed with many leading theatrical production companies and venues, recently including Andrew Kay & Associates, Sydney Opera House, ABC, Arts Centre Melbourne and QPAC. Garry has an unrivalled reputation in the industry for nurturing the hundreds of crew and performers, employed by him over the years. Equally, his reputation for the high standard of theatre he regularly delivers to venues around the country is exemplary.

 




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